On location in Japan for the fifth James Bond film, Sean Connery and Bond producer Harry Saltzman were interviewed by globe-trotting broadcaster Alan Whicker for an episode of Whicker’s World. Whicker ...

Created for the Christopher Reeve version of Superman, this 20-foot-long painting creates a wondrous impression of the landscapes around the globe that Lois and Superman witness on their first magical ...

Nadia Fall and Thea Gajic are among a number of UK filmmakers from BFI NETWORK alumni to land at Edinburgh International Film Festival for the UK premiere of their debut features and short films.

From a Kurosawa-style epic of towering scale to a 1960s geisha drama, Christina Newland finds Bristol’s annual feast of archive cinema as alluring as ever.

An ordinary day on a surgical ward spirals out of control in the new thriller Late Shift, the latest in a long line of films depicting the drama, emotion and high stakes of hospital life.

Two siblings are taken into the care of Laura, a foster parent obsessed with bringing her deceased child back to life, in Danny and Michael Philippou’s impressive follow-up to 2022’s Talk to Me.

The BFI Reuben Library is open to everyone and is free – whether you're researching our collections or are just interested in finding out more, you can find us in the main foyer at BFI Southbank.

The magic of Charles Laughton's Southern gothic one-off may be in Mitchum's willing flamboyance, argued David Thomson in our April 1999 issue ...

From the dystopian visions of Brazil and Twelve Monkeys to the surreal odyssey of The Fisher King, Terry Gilliam has spent half a century defying cinematic convention. In this wide-ranging interview, ...

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The new issue of Sight and Sound On the cover: 1975, the year that changed cinema forever. From Jaws to Jeanne Dielman Inside: Cannes 2025 bulletin, Athina Rachel Tsangari on Harvest, David Cronenberg ...

Director Petra Biondina Volpe captures the chaos and pressure of a night shift at an understaffed hospital in a cinematic tribute to nurses that’s elevated by the unflashy skill of Leonie Benesch.